Review: World War Z: An Oral History of the Zombie War by Max Brooks

World War Z: An Oral History of the Zombie WarWorld War Z: An Oral History of the Zombie War by Max Brooks

My rating: 4 of 5 stars

World War Z is as difficult to forget as it is to read, but by no means does that make it a book to avoid. Its unique structure brings life (haha) to an overdone genre by giving it the credibility it drastically needs without withholding the horror that appeals to so many zombie enthusiasts.

Pros:
– It’s easily the most convincing horror book I’ve read, which, for a zombie apocalypse-esque book, is really saying something.
– The interview structure of World War Z means it isn’t your typical gore-fest but is instead all the more chilling because it feels far too realistic.

Cons:
– It’s a dry book. Since there aren’t any continuing characters, plots, overarching storyline etc. the fictional accounts in the book have to work really hard to keep up the reader’s interest and for me, quite a few of them failed.
– Most of the accounts are far too short. Though this leaves you with nicely creepy question marks hanging over each account, it’s also pretty frustrating as, just when you begin to warm to an interviewee, their story is over. Some of these accounts didn’t even amount to a full page on my e-reader and this itty-bitty nature of the book becomes tiresome.

I went into World War Z knowing as little about the book as I could other than the often-repeated phrase, ‘it’s completely different to the film’. The oral history structure took me by surprise as I’ve never seen it orchestrated as convincingly and as comprehensively as Brooks has managed to in this book. This credibility is the main appeal of the book for me as I get bored of all the gore in the zombie genre which usually comes at the cost of believability so it was something special to find a book this disturbing in its realism.

That being said, the realism had the double-edged sword of also making for quite dull reading in some parts. A few times I had to force myself to keep on going because I was bored stiff of a particular account but didn’t want to miss any of the story we’re tasked to piece together from fictional interviews. This is often the case with non-fiction oral history – it’s incredibly difficult to weave different accounts together to build-up a bigger picture without being too selective and distorting the picture altogether. So again, its occasional dullness was bearable and gave greater weight to the book. Just bear in mind that it’s not something you’ll likely want to read for long periods of time without a break, nor is it something you’ll want to read before you sleep (it led to some pretty convincing and disturbing nightmares for me!).

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